Intensive Memoir Workshop
A Four-Hour Special Event
Do you want to improve your writing skills and
your chances of authoring a successful memoir?
$99 before Oct 18/$149 after
Now you can! Literary agent Toni Lopopolo will help you craft your manuscript into a marketable book. A former executive editor at Macmillan and St. Martin’s Press, Toni knows what it takes to get a book published. During this intensive workshop, you will work together on the skills necessary to author a successful memoir by facing what is meant by “the truth” and how to achieve “personal honesty” while pulling together the bits and pieces of memory into a dramatic narrative flow.
Toni’s methods help you master the skills necessary to become a successful published author in today’s competitive market. Fiction and today’s narrative nonfiction, which includes memoir, must grab publishing editors’ attention, keep them riveted so that they’ll read the entire manuscript and not stop when the story falters. Learn special techniques for creating extraordinary stories, in both fiction and nonfiction, to help you achieve your goal to produce a manuscript with irresistible writing that editors in publishing houses will want for the three-season lists they must fill with high-concept, marketable books.
You will practice writing scenes to break up long narratives as well as dialog recreation. You will learn how to use vivid detail, active voice, active verbs to entice and draw the reader into your story. Then we will find the defining moments that made real life spin on its axis and change one’s life forever
You will hear your writing read aloud by the instructor with comments by other attending memoirists. We’ll discuss the impact of your story, the sense of drama or lack of. And we’ll discuss what publishing editors look for in a memoir.
You will receive a reading list that will grow as you become a better narrative nonfiction writer.
“One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, give it, give it all. Give it now…some more will arise for later, something better. These things fill from behind, from beneath, like well water.
Similarly, the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you did not give freely and abundantly becomes lost to you. You open your safe and find ashes.” – Annie Dillard (From page 245 of Writing With Emotion, Tension, and Conflict: Techniques for Crafting an Expressive and Compelling by Cheryl St.John)
Santa Barbara author Shelly Lowenkopf, best known as the author of the popular The Fiction Writer’s Handbook, will read at Chaucer’s Books in Santa Barbara at 7:00 p.m. on Thursday, May 28. The event is free and open to the public.
Lowenkopf recently won the Los Angeles Book Festival Award for Best Collection for his newest book, Love Will Make You Drink and Gamble, Stay Out Late at Night, a gathering of short stories. The book brings a number of Lowenkopf’s previously published short stories together in a single volume. All the stories revolve around life in Santa Barbara, the oceanside city north of Los Angeles, where people go after they’ve burned out in San Francisco and L.A. Yet there’s no safe haven anywhere.
Interwoven into Santa Barbara’s picturesque setting, the people in these twelve stories reveal what their hearts and souls encounter in relationships. Their misreadings, mistakes, and misadventures bare what happens to people who love another.
“Shelly Lowenkopf is a master of the art of stealth in fiction,” says author David Gillham (City of Women). “His writing draws you in and then, ka-pow! Here comes the sucker punch that flattens you.”
Lowenkopf’s The Fiction Writer’s Handbook is the definitive volume to explain the words and phrases that writers and editors use when they talk about a work. The book helps new writers who need an understanding of the writing process, and seasoned writers can dive into a refresher course with new angles. That came from Lowenkopf teaching in the Master of Professional Writing program at USC for 34 years. He is currently Visiting Professor at the College of Creative Studies, University of California at Santa Barbara.
White Whisker Books is a small press with four authors based in Los Angeles. To see more of what it offers, go to www.WhiteWhiskerBooks.com. Its books are distributed by Ingram.
“Writing good fiction is at least as hard as learning how to play concert piano, Norman Mailer once said. And yet some part of us is fooled into thinking it ought to be easier than it is because the medium we’re using is this language we’ve been speaking since childhood. But of course the truth is that If you want to write gracefully and with clarity about things that matter, and to make it seem as effortless as common speech, you are going to have to work as hard as you have ever worked on anything in your life. And that’s why it takes years. If you’re struggling it’s because your talent is acting on it, seeing into its fault lines, and you have to learn to trust the difficulty.” – Richard Bausch
Missing Link Dept.
‘He was wearing a grey cap, grey jacket, white shirt, navy-blue striped tie and white socks, which he’d pulled up almost to his pink kneecaps.’ (Claire North, The First Fifteen Lives of Harry August, 2014)
Dept of Fractal Physics.
‘The fact is that such [black] holes can be very small, as small as the size of their constituent particles …’ (David A. Kyle, Lensman from Rigel, 1982)
‘The human’s brain began to function once more; he could almost feel it sweating.’ (Poul Anderson and Gordon R. Dickson, ‘In Hoka Signo Vinces’, June 1953 Other Worlds)
Dept of Interplanetary Phrenology
‘I was somewhat startled, then, in looking at the head and center of the great military system of Mars, to find in his appearance a striking confirmation of the speculations of our terrestrial phrenologists. His broad, misshapen head bulged in those parts where they had located the so-called organs of combativeness, destructiveness, etc.’ (Garrett P. Serviss, Edison’s Conquest of Mars, 1898)
Running Off at the Mouth Dept.
‘Dolusi let a smile drip toward the scientist.’ (Curtis W. Casewit, The Peacemakers, 1960)
By Robin Winter
Why do I need an editor? I can read– in fact I’m really good at that. I can get all those great advice books that tell me how to self-edit, and then I’m there, right?
No. The answer is no. You need those advice books to help you revise so you can then get into the hands of a really good editor, because you don’t want to take raw novels or manuscripts to an editor and waste her time and your money. If an editor has to go through your manuscript ten times to get all the slag out, his or her mind will be tired, and will start missing things that need work, like what happened to the flavor and the leavening. Continue reading